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Contents Introduction [July Pre-order] [SHM-CD] [Semi-New Release / Encore Press] [This year marks the 55th anniversary of ECM's founding!] Founded in 1969 in Munich, Germany by the unparalleled charismatic producer Manfred Eicher, ECM (short for "Edition of Contemporary Music") is one of Europe's leading jazz labels. The label's founding concept was "music that is the next most beautiful thing after silence." Its transparent sound, clear tone, and sophisticated, beautiful jacket designs set it apart from other labels and have captivated many fans around the world. It has produced numerous jazz masterpieces such as Keith Jarrett's "The K?ln Concert" (1975), Chick Corea's "Return to Forever" (1972), and Pat Metheny's "Bright Size Life" (1976). In 1984, it expanded its genres and entered the classical music world. ECM has launched the "ECM New Series," which focuses on contemporary music, and has released new works by Arvo P?rt, Gidon Kremer, Heinz Holliger, and others. Eicher, who turned 80 last year, continues to record more than 20 new albums a year, making it one of the most active labels in the pursuit of music. In conjunction with the release of the new series "ECM Revisits," commemorating the 55th anniversary of ECM's founding, the "ECM in the 21st Century" series, originally released in 2022, has been repressed. This series introduces the current state of ECM, focusing on artists who are currently at the forefront of the industry. This is the second ECM leader album by saxophonist Chris Potter, one of the key figures in the contemporary jazz scene, in which he has painstakingly arrived at a complete fusion of jazz and orchestral sounds. Centered around members of the underground quartet?Adam Rogers, Craig Taborn, and Nate Smith?they are joined by two bassists, a string quartet, and Steve Nelson (vibes, marimba), a longtime collaborator from the Dave Holland Quintet, creating a panoramic suite with a larger ensemble. The breadth of this work, the contrasting moods and thematic developments, stimulate Potter's playing, and his saxophone soars even higher above the idealized city. Dialogue with the talented inhabitants and group improvisation further expand the worldview.
Chris Potter (ts, ss, b-cl) Adam Rogers (g) Craig Taborn (p) Steve Nelson (vibes, marimba) Fima Ephron (b) Scott Colley (double-b) Nate Smith (ds) Mark Feldman (vln) Joyce Hamann (vln) Louis Martin (vla) David Egger (cello) Recorded in December 2013 at Avatar Studios, New York Media Reviews and More This is the second ECM leader album from saxophonist Chris Potter, one of the key figures in the contemporary jazz scene, in which he has painstakingly arrived at a perfect fusion of jazz and orchestral sounds. Centered around members of the underground quartet?Adam Rogers, Craig Taborn, and Nate Smith?they are joined by two bassists, a string quartet, and Steve Nelson (vibes, marimba), a longtime collaborator from the Dave Holland Quintet, creating a panoramic suite with a larger ensemble. The breadth of this work, its contrasting moods and thematic developments, stimulates Potter's playing, and his saxophone soars even higher above the idealized city. Dialogue with the talented inhabitants and group improvisation further expand the worldview. (C)RS
