Product Description
The second installment! A collection of Beatles masterpieces where Paul's bass is clearly audible. This is how Paul played! The genius's phrases are revealed. "Paul's bass was amazing after all!" "So that's what the phrases were like!" etc. This is the second installment of the popular title that has received such positive feedback. The bass is huge on every track. It is said to be a compilation of studio mixes in which the bass is mixed in prominently, so now we can hear the swan-like paddling of Paul that supports the Beatles' music. 1) Love Me Do This is the third recording of this song at EMI, including the audition, and the bass playing is stable. 2) P.S. I Love You The bass work responds tightly to drummer Andy White's rimshots. 3) I Want To Hold Your Hand Even with the mistake around 29 seconds, the faithful bass supported this world-shaking hit song. 4) Till There Was You The simple bass work highlights its own sweet melody. 5) A Hard Day's Night The triplet phrase added here. The beginnings of a genuine spirit of service. 6) I Should Have Known Better Paul, the deliberate offender, plays a G on the Em in the 6th measure of the A section. His willingness to take on challenges and not miss an opportunity. 7) Long Tall Sally Rock and roller spirit explodes. Breathtaking vocals and bass. 8) I Feel Fine When the equipment allows him to move away from a one-take recording, Paul's playful spirit is revealed, leading to free-flowing bass work. 9) She's A Woman He can actually play, but Paul, the musician, coolly supports the beat. 10) Dizzy Miss Lizzy An outstanding bass riff backs up John's shouts. 11) We Can Work It Out Breaking away from the idea of ??"playing the same phrase in both the first and second verses," he begins a free approach. 12) If I Needed Someone Even when the chord shifts to G, the bass stays on A! Listen to his sharp judgment. 13) Got To Get You Into My Life The moment the B section begins, the bass work is exhilarating, like a world-class dribbler making a turn and leaving the defenders behind! 14) Lucy in the Sky with Diamonds Amidst a storm of key changes, the bassist moves freely between frets while playing the root note. 15) Fixing a Hole The bassist leaves the key changes to G. Martin and develops complex bass work. 16) Lovely Rita The bass moves around freely. The ending is especially impressive! 17) Hello Goodbye The phrasing is so precise it could be submitted to an exhibition. This is bass structure theory. 18) I Am the Walrus A miraculous song where the intended chaos swirls around the bass that compensates for the mediocre rhythm. 19) Magical Mystery Tour Composition, arrangement, composition skills. Everything about Paul's brilliant '67 performance lies in this bass. Complete track-by-track commentary, 7,800 words, 8 pages of Japanese liner notes. JASRAC-licensed product, Getty Images Japan licensed photo used on the jacket. Tracklist: 1. Love Me Do 2. P.S. I Love You 3. I Want To Hold Your Hand 4. Till There Was You 5. A Hard Day's Night 6. I Should Have Known Better 7. Long Tall Sally 8. I Feel Fine 9. She's A Woman 10. Dizzy Miss Lizzy 11. We Can Work It Out 12. If I Needed Someone 13. Got To Get You Into My Life 14. Lucy in the Sky with Diamonds 15. Fixing a Hole 16. Lovely Rita 17. Hello Goodbye 18. I Am the Walrus 19. Magical Mystery Tour Beatles Studio Alternate Mix 1962-1967
