Description
Product Description
Contents Produced by Hideki Matsutake Piano, Keyboards, Voice: Mioko Yamaguchi Synthesizer Programming: Hideki Matsutake A decadent worldview and imaginative sounds unfold from a meticulously drawn blueprint of electronic music. This new Logic System album is filled with the pride of synthesizer craftsman Hideki Matsutake, who has long been particular about sound, and every note is crafted with passion! The numerous sound-making "techniques" he has devised and the brilliance of his polished programming have created a one-of-a-kind "TECHNASMA = Trick". As a bonus track, the long-awaited first CD appearance of the improvised performance piece with Ryuichi Sakamoto, "Silence Is Betraya"!!! The alluring sound of the MIDI music box "CANADEON PW40", string-like synth pads, and the second hand that shifts as time ticks intersect, announcing the appearance of another world. "Crisis" is the epitome of minimalist music, with a fresh yet dynamic riff and polyrhythmic loop that sounds as if played by five marimba players, and a celebratory beat that begins with a soaring brass synth as a signal, creating an endlessly pleasant feeling. In "Time Seeds," a minimalist sequence of two chords that repeats like a kaleidoscope and a piano with deep reverb that stimulates memory create a floating sensation that makes you feel as if you are going back and forth through time and space to the origin of species. "Mondrian's Square," composed by Mio Yamaguchi and inspired by Piet Mondrian's painting "Broadway Boogie Woogie," is characterized by a geometric and catchy sound and a humorous blend of a video game world, and is colored by a masterful "whistle" that utilizes the voltage control techniques of an analog synth. The cover of Philip Glass's "Closing" maintains tension with its distorted drums, overlaid synth bass, and highly addictive piano melody, racing towards the final orchestral hit. "Golden Ratio" opens with a majestic atmosphere as if descended to Earth from another planet, and unfolds with folk music-like rhythms, accompanied by simulated bird sounds and percussion reminiscent of a jungle. From the middle, the acoustic melody and atmosphere create a healing feeling, as if enveloped in the generosity of nature. "Aqua Aura" is an ambient piece that creates an atmosphere like being in a crystal cave with metallic tones and spatial synths, slowly moving through a fantastical, shimmering underwater world accompanied by piano sounds. In terms of its danceability, "Youyou" is positioned in the lineage of "Domino Dance" from the 1st album "Logic," and invites you on an eerie trip with its melody reminiscent of a Japanese festival, uplifting rhythm, and distorted guitar-like effects. Set against the backdrop of space and Earth, "Contact," a song about an unseen entity, features impressive sound effects that are Matsutake's forte, including simulated voices and communication sounds, a kick drum that sounds like the heartbeat of life, and a single, divine ray of light. The main part of the album concludes with "Revive," a song that is impressive for its layers of strings and the build-up caused by the key change in the middle. It is a melancholic song that returns to the sequencing that is at the root of Matsutake's work, and expresses a wish for rebirth. Using analog synthesizers and rhythm machines that are synonymous with Matsutake, such as the Moog IIIc, EMS VCS 3, Prophet-5, and Roland TR-808, as well as cutting-edge technologies such as Sequential Pro 3 and the software synth "Omnisphere 2," Matsutake breathes new life into sequences and sounds, creating a product of learning from the past and creating something new for the modern age. A fusion of analog, digital, and sampling. The coexistence of an unsettling atmosphere created by experimental sound design and melodic sounds. Through an insatiable thirst for exploration, boundless curiosity, and sincere love for synthesizers, Hideki Matsutake's blueprint has been completed once again in the Reiwa era. A studio live recording from "schola Ryuichi Sakamoto School of Music," broadcast on NHK E-TV in January 2014. This improvisational performance, featuring only two synthesizers?Ryuichi Sakamoto on an EMS Synth AKS and Matsutake on a Moog IIIc?is finally being released on CD for the first time. Media reviews and more: A decadent worldview and imaginative sounds unfold from a meticulously drawn blueprint of electronic music. Synthesizer craftsman Hideki Matsutake, who remains dedicated to sound quality, has completed his new Logic System album, a meticulously crafted album where every note is given with passion! The numerous sound-making techniques he has devised and the brilliance of his polished programming have created the one-of-a-kind "TECHNASMA." (C)RS

