{"product_id":"4526180752745","title":"Jeff Gilson New Call From France [The Cutting Edge of Jazz] Japan Music CD","description":"\u003cp\u003eProduct Description\u003cbr\u003e\nContents Format: CD Specifications: Jewel case Specifications 2: Remastered original recording Obi: Yes Liner notes: Yes A masterpiece of modal jazz from a French big band. A masterpiece of French big band jazz led by Jeff Gilson, also known as Jean-Fran?ois Quievreux. Featuring Jean-Louis Chautant, a famous French saxophonist who has performed with Chet Baker and others, this is an unusual modal jazz work that develops modal jazz reminiscent of Coltrane and Dolphy in a big band setting. The suite for the San Remo Music Festival is a favorite track of Giles Peterson! Performer credits: Gilbert Robert (b), Claude Renisois (bcl), Ga?tan Dupannet (ds), Jeff Gilson (p, cond), Pierre Caron (ts), Jean-Louis Chautan (ts, as), Fran?ois Jannot (ts, ss), Jean-Baptiste Mila (tp), Bernard Lubat (vib, perc) [TRACKLIST] 01. Suite Pour San Remo: Ouverture 02. Suite Pour San Remo: Amadeo 03. Suite Pour San Remo: Adriano 04. Suite Pour San Remo: 05. Arrigo (Sweet Pool Sanremo: Arrigo) 06. I.A.M. (I.A.M.) 07. 120 ? La Noire (Saint Vin ? la Noire) 08. A Free Call (A Free Call) 09. Chromatisme (Chromatisme) Jazz Frontline MPS Season 1 New Discovery Encounter ~Deconstruction of Jazz by Club Culture~ What is Hip Hop? Hip Hop is a music and culture that respects all genres of popular music from the past, while simultaneously creating new music by freely or arbitrarily reusing them. In other words, it is not destruction but regeneration, discovery and creation. It all starts from here. This is a historical invention born in the 1980s and 90s that unconsciously resonated with the re-evaluation of ideas such as Jacques Derrida's \"deconstruction\" in France in the 1960s and Michel Foucault's \"Archaeology of Knowledge\" = \"postmodernism\". 1990s club culture was a counter-movement against \"disco as an entertainment device\" by a generation influenced by hip-hop, and at the same time, a new source and creation of music and culture. With the emergence of Giles Peterson, born in France and raised in London, disco DJs, who had previously been merely providers of entertainment, transformed into new musical \"expressers\" such as \"club DJs\" and \"record labels.\" Popular music, which had previously been merely consumer goods, became a treasure trove of cultural assets. This is what gave rise to British-born \"Acid Jazz\" and \"Talkin' Loud.\" In Japan, a new movement also began around the same time. Toru Hashimoto's indie book \"Suburbia Suite,\" which appeared with great surprise and impact in 1992, became even more dynamic in 1994 as the CD compilation series \"Free Soul.\" It is widely known that Toru Hashimoto was the editor of the magazine \"Brutus.\" This is not unrelated to the fact that Toshikazu Kanazawa of the \"Light Mellow\" series began his career as a music writer after editing and publishing a mini-magazine. Editors are creators who weave together new knowledge while repeatedly rediscovering it within a continuity from the past. Just as DJs and compilers are expressive through music, editors are expressive through words. Many in Japan were greatly influenced by the passionate trends in music and culture that emerged in the 90s, such as club culture and postmodernism, which were based on a perspective of \"re-evaluation,\" \"rediscovery,\" or \"deconstruction.\" These are the Giles Peterson children, and the legacy continues to be passed down as followers of Toru Hashimoto. \"JAZZ Frontline\" is a compilation series of 21st-century \"re-evaluation\" and \"reconstruction\" of hip-hop and club culture, edited from the unique perspective of the 90s generation, for themselves and the current new generation. At the same time, it is a new \"rediscovery\" series that pays deep respect to the \"re-evaluation movement\" of the 1990s. From [JAZZ FRONT LINE] with Love: MPS's headquarters, Black Forest, is located in the (former) state of Baden-W?rttemberg in West Germany. Baden-W?rttemberg is an industrial city where the Mercedes-Benz Group and Porsche have their headquarters. It has an atmosphere that is somewhat similar to Motown (Detroit) and Chess Records in Chicago, one of the leading industrial cities in the United States. This is probably not unrelated to MPS's unique \"high sound quality.\" That's just how cities are. After World War II, Germany, like Japan, was under Allied rule and divided into East and West Germany. West Germany in particular was under the divided rule of the United States, Britain, and France, and it gained independence as a country in 1955, considerably later than Japan. The background of MPS (SABA) working on a lot of jazz, especially jazz by American artists, can be traced back to this. West Germany had many US military bases, and even at the time the Berlin Wall fell in 1989, there were 47 major bases alone. It is said that approximately 250,000 US soldiers were stationed in West Germany, with over 500 military facilities located throughout the country. In Japan, the largest number of US soldiers stationed is around 30,000 in Okinawa. In other words, postwar West Germany was under the strong influence of the United States, to the same extent as, or even more so than, Japan, in terms of politics, economy, culture, and human exchange. In the late 1960s, young people and artists in West Germany were strongly influenced by thinkers known as the Frankfurt School (critical theory). Herbert Marcuse's \"The One-Dimensional Man\" and \"An Attempt at Liberation\" had a profound impact not only on his own country but also on the May 1968 revolution in neighboring France and the student movement in Japan. Marcuse, who had fled to the United States from the Nazis, later returned to his homeland and would go on to have a great influence on West German thinkers, politicians, young people, entertainers, and artists. The depth of the multi-layered historical correlation between the United States and West Germany, including not only these individual events but also the processes leading up to them, can be glimpsed to some extent even from 21st-century Japan. MPS is not a label started as a hobby by a German jazz enthusiast. It is densely packed music from an \"era of upheaval and transformation\" filled with all sorts of emotions?love, hatred, business, politics, respect?between West Germany and the United States. There you will find Oscar Peterson's brilliant virtuoso jazz, jazz-rock and crossover, experimental progressive jazz and free jazz, fusion, beautiful jazz harmonies, soul jazz, and avant-garde jazz that blends multinational nomad and ethnic influences, each one existing meticulously, orderly, and brilliantly. All of this is MPS jazz. Media reviews and more A masterpiece of French big band jazz led by Jeff Gilson, also known as Jean-Fran?ois Quievreux. Featuring Jean-Louis Chautemps, a renowned French saxophonist who has collaborated with Chet Baker and others, this is an unconventional modal jazz work that unfolds in a big band setting, reminiscent of Coltrane and Dolphy. The suite for the Sanremo Music Festival is a favorite track of Giles Peterson! (C)RS\u003c\/p\u003e","brand":"TOKYO JAPAN CD SHOP","offers":[{"title":"Default Title","offer_id":53224838070581,"sku":"4526180752745","price":3400.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1011\/5966\/5973\/files\/41lTppC7GpL._AC.jpg?v=1785320456","url":"https:\/\/tokyojapancdshop.com\/products\/4526180752745","provider":"TOKYO JAPAN CD SHOP","version":"1.0","type":"link"}